{"id":2837,"date":"2022-04-05T22:12:40","date_gmt":"2022-04-05T20:12:40","guid":{"rendered":"https:\/\/ligneorguesremarquables.com\/?post_type=actualites&#038;p=2837"},"modified":"2022-12-19T19:57:30","modified_gmt":"2022-12-19T18:57:30","slug":"amsterdam-1600","status":"publish","type":"actualites","link":"https:\/\/ligneorguesremarquables.com\/de\/nachrichten\/amsterdam-1600\/","title":{"rendered":"AMSTERDAM 1600"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"> <strong>17H &#8211; \u00e9glise BEURNEV\u00c9SIN<\/strong> <strong>(CH)<\/strong> &#8211; <em>r\u00e9cital Tribunes Baroques (CH)<\/em> <br><strong>Etienne BAILLOT<\/strong> &#8211; <strong>orgue<\/strong> &#8211; <em>Sweelinck, Praetorius, Scheidt, Scheidemann<\/em> <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Etienne Baillot b\u00e9n\u00e9ficie d\u2019une longue et solide exp\u00e9rience des claviers anciens. Musicien sensible et raffin\u00e9, il nous propose un programme qui mettra en lumi\u00e8re l\u2019orgue flamand de Beurnev\u00e9sin, en dialogue avec la profonde douceur du clavicorde. <\/p>\n\n\n\n<figure class=\"wp-block-image is-style-default\"><img decoding=\"async\" src=\"https:\/\/www.tribunes-baroques.ch\/wp-content\/uploads\/2022\/04\/BAILLOT-SAINT-JEAN-DE-LOSNE-002.jpg\" alt=\"\"\/><figcaption>Etienne BAILLOT<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.tribunes-baroques.ch\/programmation\/amsterdam-1600\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"renseignements, r\u00e9servations (s\u2019ouvre dans un nouvel onglet)\">renseignements, r\u00e9servations<\/a><\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-2837","actualites","type-actualites","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>AMSTERDAM 1600 - 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